![]() But of course those are just the premium 3-d sonic experiences- the free stuff is free, but there are ads like radio. So then you have to buy the product to enjoy the product, so then you setup a marketplace to buy and sell 3-d audio experiences with those headphones. So then you could record 3-d experiences, and share them. Then you have the corresponding mics on the headphone earpiece outside shells. ![]() So perhaps what we really need, are headphones with hexagonal earpieces with 10 speakers each, with each speaker pointing in different angles on the ears. I would not be surprised if someone flies in here and starts talking about preamps. I think it has something to do with recordings being best when the levels don’t get too varying, then you pump that shit through an optical compressor that has like 10 vacuum tubes in it, but you still set a fast attack (relative to optical compressor range, anyway). But then it sounds like shit, and here we are. Like we get to the point where we’re dumpster diving hair salons to steal their old mannequin heads, so we can drill mics onto the sides to make some next level 3-d sonics. ![]() You put reverb on that again- for some reason- then you’re really smoking hot fire sensation, in your music battlestation. Of course everything sounds like shit, but it’s next-level 3-d shit. Like you make the crackling wheat fields in the breeze, sound like a tuba in a tunnel. You know what’s fucked up is that, a solution to solid binaural recording correction is compression- but also distortion.
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